Ken Carson’s oil paintings have a dreamy quality. They seep into the soul and the mind surrenders.
“I’m not about specific places, with grass, buildings, or people,” Carson says. “The painting is about an emotional impact. If it connects with you, you can stay there and enjoy it. If it doesn’t connect, walk away.”
Water and sky, in their shifting shapes, colors, and layers, are central in Carson’s work. “The emotion of the sky interests me, whether it’s set by low light, high light, or clouds,” Carson says. “Nine times out of 10, there is a very low horizon.” Just as he is drawn to early morning or dusk in the skies he paints, Carson is most captured by water at its points of great change, such as the intersection of marshland with open water. “I’m very attracted to salt marshes, how they flow through, as opposed to straight, open ocean,” he says. Seasonal changes provide another vehicle for moving the emotions, such as the warm, ruddy shades of brown and gold in End of Season.
Carson’s ocean-centered art is usually anchored with an object, very often a dinghy that may be rotting and beyond repair. “They always seem to be waiting for something, or ready to go, or retired. That to me conveys the solitude, the peace,” Carson says. “It’s a positive solitude.”
His positive outlook is threaded through his career. Carson taught art for 35 years in the public school system in Bourne. “It was a wonderful ride,” he says. He then began art classes with such luminaries as Sig Purwin, Beverley Edwards, and Claude Croney. A stint as assistant director of the Market Barn Gallery in Falmouth, where jeweler Paulette Loomis taught him the business of art, was especially meaningful. Today, when the Sandwich resident isn’t painting, he is building custom frames at Cape Gallery Framer in Falmouth.
Carson continues to be moved by his subjects, long after the art is finished. He first glimpsed the focus of White Boat near a West Falmouth harbor last year and still likes to check in on the little boat. “It’s tied by a path, waiting for the seasons,” Carson says. “It’s just there. I still drive by it. I walk by it. It’s an ongoing process.”
One of the best things about living on Cape Cod is the diversity of its art world. There are artists of many kinds on the Cape and Islands, and the depth of their talents make it hard to choose who to profile in our arts edition. Some of the people profiled on these pages were suggested to me by friends, co-workers, and other artists. I have met some of them personally at cultural events. I wish that we had endless pages to present more of their work—it is always hard to pick photos reflecting an artist’s talent. Read more…
Anticipation! That was the feeling that took over when my parents mentioned “The Cape” to me as a child growing up outside of Boston in the 1930s. At the age of nine, in 1933, I wasn’t much involved with the planning and packing that went into my family’s preparation for a vacation beyond making sure that my bathing suit was in the suitcase. After our first trip to Waquoit, I was hooked. When I thought of sun, sand, and salt water, I visualized the Cape.
After years of renting in Waquoit, my Dad bought a piece of land on Little River on which he built a small cottage. From then on, most summer Fridays found us headed for the Cape (no highways then) and making good time until we hit the Canal. Sound familiar? In those early years, the Bourne Bridge was a drawbridge that had to be raised every time a large ship or one with a tall mast came through. Traffic would be backed up for miles and we would impatiently wait for the bridge to lower so we could pass. Read more…
He and a few friends will cycle hard for six or seven hours. They’ll cross the Bourne Bridge, traverse the Service Road, follow back roads to the Cape Cod Rail Trail in Dennis, and pass Cahoon Hollow Beach in Wellfleet.
From there, the group will take the back roads in Truro and finally get into Provincetown, feeling like kings of the road as they breeze down Commercial Street. There, they will stop for lunch—and a quick change of clothes—at the Crown & Anchor.
“That’s a great day,” Leach says of this trip he makes every August, usually on a Friday because the bike paths are less crowded. “The whole thing is great. It’s so different throughout. … Probably the most memorable part is the end of the bike path all the way to Provincetown. The scenery and the whole idea of being out on the Outer Cape and then heading into Provincetown and being on Commercial Street is fun.” Read more…
Don’t miss this years Cape Cod fireworks 2013! Check the dates below to find parades and fireworks displays in your area! From everyone here at Cape Cod Life Publications, cheers for a happy and safe 4th of July weekend!
One of the best things about living on Cape Cod is the diversity of its art world. There are artists of many kinds on the Cape and Islands, and the depth of their talents make it hard to choose who to profile in our arts edition. Some of the people profiled on these pages were suggested to me by friends, co-workers, and other artists. I have met some of them personally at cultural events. I wish that we had endless pages to present more of their work—it is always hard to pick photos reflecting an artist’s talent.
Of course my own personal taste in art influenced the selection of the artists profiled in this edition, as did that of our Contributing Editor Mary Grauerholz, and our Art Director Patty Dysart. We poured over the images sent to us and sometimes disagreed with each other’s choices, but for the most part the paintings, sculpture, fine jewelry, and handiwork on these pages represents a wonderful array of talent encompassing as many styles and mediums as there are creatures in our ocean.
If you are like me, you will look at this issue and long for a Paul Schulenburg or a John Clayton to hang on your wall. Patty Dysart loved the work of Francie Randolph, but after reading Francie’s story, Patty felt that the paintings the Truro artist submitted did not accurately reflect her talents. Patty took the time to contact the artist for more examples of her work. The end result is a profile where the images and the text, written by our talented contributing editor and wordsmith, Mary Grauerholz, come together beautifully.
When it came to choosing the cover for this issue, I asked Patty to design six or seven potential covers to be displayed in Cape Cod Life’s lunch room and asked the staff members (including our Publisher Brian Shortsleeve, who always jokes that he gets at least TWO votes for a cover) for their opinions. We went through several viewings before we chose Jack Goldsmith’s iconic Cape Cod painting of three little girls playing on a bright Cape Cod beach. Something about this painting spoke to everyone.
Whatever your taste, I hope you will be dazzled by this array of art that spans all styles, mediums, and price points, yet is uniquely of Cape Cod, Martha’s Vineyard, and Nantucket. This issue is its own diverse work of art—just like this ever-surprising coastal world we all love.
With artful best wishes,
Winter blankets take many shapes. There’s the warmth of our Pendleton wool, thrown over our legs and tucked under our feet, working just as hard as the woodstove to keep the heat in while we sleep. There’s the snow outside that comes and goes—covering the strawberry patch and the raspberry cane roots from December to March. There’s the extra fur the dog grows over his rump and between his paw pads, keeping him moving over ice and snow.
And over the garden, there’s a thin, sturdy layer of plastic—nothing expensive, nothing fancy—but enough to cover the crops so that in even the coldest months, they grow.
Not everyone, of course, can stand the chill. The basil and eggplants die off long before late October, when we cover the rows. The tomatoes get pulled out not long after while the green beans say their parting words, and the kitchen herbs move inside to sunny doorways and windowsills.
But the greens—the cabbage and kale and lettuce and spinach and Swiss chard and arugula—these thrive under their thin cover all winter long. We harvest the late summer plantings from Thanksgiving through March, and a new crop goes in toward the end of February. It’s hard to believe that under such a thin plastic blanket the seedlings still sprout. But they do, skyward and reaching, sure that spring is coming soon.
By early May, the beds are full again, a sea of bushy green rows.
I always over-plant—the promise of seed packets in February is too much to resist—and by mid-May, we have a full-blown greens crisis on our hands. Salads are mandatory at dinner and lunch, and on weekend mornings I sneak sautéed spinach and Swiss chard onto our plates alongside hot toast and fried eggs.
But my favorite way to eat the greens, hands down, is cooked with onions and garlic, layered with filo dough and cheese, and served as an entrée: spanakopita.
If you’ve never had spanakopita, it’s a Greek delight. It’s a savory spinach pie, or really more of a pastry, filled with eggs and ricotta and feta and greens. In the Greek countryside, rural women bulk up their spinach with leeks and Swiss chard, and in the cities fancy restaurants add kalamata olives or pine nuts.
I never do much to dress it up—with greens straight out of the garden, there’s no need for that. I just head outside in the late afternoon, down the deck stairs with colander and garden shears in hand, and start snipping my way through the spinach beds. When the colander’s full I make my way back in, and turn on the oven while I start chopping garlic and onions, chard, and spinach. By the time the sun goes down, the house fills up with the scent of pastry and herbs, rich cheese and greens, and something like spring wafts out of the oven.
It’s the sign of warmer weather I look forward to the most.
- Posted in Arts & Culture
Thirty years after entering his first acting class, Harwich native Nat McIntyre makes a living performing on stage and screen in New York City. Mostly working Off-Broadway, McIntyre has gone from memorizing lines from his first-ever part in Life with Father to gearing up for performing in Othello this summer in all five New York City boroughs. Looking back, McIntyre realizes something: in discovering Harwich Junior Theatre, he discovered his passion. “The theatre put me on the straight and narrow, if you can put a six-year-old on the straight and narrow,” he says, laughing. “It was so good for me.”
Each season since it was first founded 60 years ago by the late Betty Bobp, Harwich Junior Theatre has delighted audiences of all ages with dozens of plays and musicals. More than 20,000 folks attended performances last year. Just as important, the mix of actors has helped form a creative and nurturing institution on Division Street.
“It is my true belief that when people of all ages create theatre together, the energy and creative potential is boundless,” says Producing Artistic Director Nina Schuessler, who landed her first Harwich Junior Theatre role nearly 35 years ago. “It is truly intergenerational here.”
The post-performance scene outside the small clapboard theatre is also an energetic, friendly gathering of arts lovers of all ages. Festive teenage jesters who greet the crowd at performances and happy crowds gather around the farmer’s porch. Children, prodded by parents and gripping pens in their tiny fists, turn their faces up to the costumed actors. The actors sign their names and write upbeat messages onto every playbill passed into their hands, bantering with the patrons and accepting their good wishes. Read more…
- Posted in Arts & Culture