Winter Photography Tips from our Professional Photographers.
Fearing neither wind, nor ice, nor sleet, nor snow, out into the elements, does the intrepid photographer, go.
Most folks head for cover when a blizzard bears down, but photographers—like meteorologists—view the slippery scenario differently, as an opportunity, and often set out amidst the flurries to capture the dramatic scenery in its fresh, unsullied, and at times dangerous glory.
For this issue, we asked four of our freelance photographers—Dan Cutrona, Stacey Hedman, Alison Shaw, and Luke Simpson—to offer their thoughts, tips, memories, and a favorite photo from years of capturing images in the winter months. So, grab your coffee, grab a blanket, and enjoy the scenery!
FREEZING THE ACTION – Luke Simpson
“It is not difficult to capture the serenity/loneliness of the Cape’s landscapes in the winter,” Luke Simpson says, “but those types of images get pretty boring after a while. Ideally, I like to capture action—or some interesting event—taking place amidst the otherwise empty winter landscape.”
An Eastham resident, Luke works as a freelance photographer for Cape Cod LIFE, as well as for Outside, Surfer, and espn.com. He says his favorite place to shoot is the Cape Cod National Seashore and he hopes to visit Martha’s Vineyard and Nantucket to capture some winter images on the islands.
“I spend a lot of time shooting waves and surfers,” he says, “and the surf is best in the winter. The ocean is flat and boring in the summer; it is so much more dynamic in the off-season. The beach looks different every time you visit in the winter.”
The winter light is also very different, he adds. “With the sun so low in the sky, the light is more direct and more interesting. There are so many master artists and photographers who spend the summer here creating work, and they leave right after Labor Day. They are missing out.”
Does he use any special techniques in the winter months? “Not really,” says Luke. “The biggest difference in the winter is getting used to working with your equipment in the cold so you can stay out in the elements making images. Batteries drain very quickly in the cold, so I keep extra batteries in a pocket close to my body. If it is really freezing, I wrap one of those chemical hand warmers around them. Shooting in the water, when it is cold, presents a whole bunch of issues; finding wetsuit gloves that are warm enough but still allow you to operate the camera is always difficult.”
OUT IN THE ELEMENTS – AND HAVING A BLAST – Alison Shaw
I love photographing storms, snow, ice—anything that radically transforms the landscape that we so associate with the summer ‘vacation’ months on the Cape and Islands,” says Alison Shaw. “I’ve been photographing the Vineyard since going to work for the Vineyard Gazette in the summer of 1975. That’s a lot of years of photographing a relatively static landscape. When changes—such as a blanket of new-fallen snow—happen to that familiar landscape, I drop whatever I may be doing and head out with my camera.”
A resident of Oak Bluffs, Alison shoots for Cape Cod LIFE and for her own company, Alison Shaw Photography, Gallery & Workshop. She enjoys shooting wintry scenes at Ocean Park in Oak Bluffs, and capturing the sledding action at Sweetened Water Farm, Tashmoo Overlook, and other Vineyard locales.
Alison says she enjoys the “sheer physicality” of dealing with adverse weather. “In one of the past year’s storms a wind gust ripped a hinge off one of my car doors,” Alison says, “and I lost my prescription glasses in the surf at South Beach. In winter storm Nemo, my ‘invincible’ Toyota 4-Runner had to be lifted out of a snowdrift by a good Samaritan driving an earth excavator.”
Choosing the correct camera settings, Alison says, is especially important when it is snowing. “I like to photograph at a fast enough shutter speed to freeze the motion of most of the falling snow, and also to prevent any blur from camera shake that might occur due to strong wind gusts.” To minimize the blur of snowflakes closest to her camera, Alison uses a wide angle lens.
To protect her camera lens, she uses a skylight filter, and wipes any moisture from the filter and other equipment with a handy cotton t-shirt. In her car, she dries and de-fogs her camera, glasses, and gloves on the dashboard with the defroster blasting away.