A half-century of canvases, characters, & color
The Falmouth Artists Guild celebrates 50 years in 2016
Doing anything for 50 years will generate a good amount of stories, and The Falmouth Artists Guild certainly has its fair share. In 1975, for example, the Empress of Japan paid a visit to Cape Cod, and stopped in at the guild’s headquarters, then located on Main Street, while her husband toured the Woods Hole Oceanographic Institution.
Thirty years later, anyone who happened to be in the vicinity of Shore Street in Falmouth on March 14, 2005, might have witnessed a 12-foot, 1,500-pound metal sculpture “flying” over a local neighborhood. The “Man on Fire” sculpture, which now welcomes visitors with metal arms outstretched to the Falmouth Artists Guild’s home—the Falmouth Art Center—was donated to the organization by local residents. To complete the exchange, the massive creation had to be lifted about 50 feet in the air, by crane, to be removed from the gift-givers’ yard, over the roof of their two-story home, and onto a flatbed truck, which drove the piece the rest of the way to the site of the new art center on Gifford Street.
Another story involves Dan Hanagan, a longtime art teacher who once lived in an apartment above the guild’s headquarters when it was at 744 Main Street. At the time, Hanagan was the guild’s curator, and one evening upon returning home he found two large cabinets that almost gave him the scare of a lifetime. He didn’t open the boxes—and he’s glad of that. The next day he learned the contents were human skeletons. Not to worry—Harvard University had gifted the bones to the guild for artistic purposes, but it still came as a surprise to Hanagan.
Since 1966, residents of Falmouth and surrounding communities have come together at the different locations the Falmouth Artists Guild has called home to celebrate a shared appreciation for art and community. This year, settled nicely in its new facility—the Falmouth Art Center—with classes, members, and receptions galore, the guild celebrates its 50th anniversary.
“It’s wonderful to be here to be an artist,” says Mimi Gregory, a guild member and acrylics painter. “We have been the best-kept secret in Falmouth for years.” In a recent interview at the art center, Gregory and a group of the guild’s past and present board members, teachers, and staff shared their thoughts and memories of the organization—and why they are so passionate about it.
“Culturally, Falmouth is coming into its own,” says Doris Epstein, “and we’re a big part of that.” Epstein—who describes herself as “the great-grandmother of the guild”—first joined in the late 1960s. She moved to the Cape permanently in the 1980s and served for a period as guild president.
Today, Epstein takes in one class a week and regularly participates with Monday Morning Painters, a group of about 25 artists who head out to Bourne Farm, Chapoquoit Beach, and other locales in summer for weekly en plein air sessions. Epstein, who completes two paintings a month and enjoys making colorful books for her grandchildren, says she has learned some technique over the years and won a few prizes, but that’s not all the guild has given her. “It isn’t the skill level,” she says. “It’s seeing people you’re getting to know. It really is a very important part of my life.”
The Falmouth Art Center offers a variety of courses in several mediums, from ceramics and mosaics to drawing, painting, photography, and weaving. Some of the courses are for novices, such as “Ready, Set, Knit! For Beginners,” while others are more advanced, including a workshop with Don Demers titled “The Ascending Landscape: How to Reach Your Next Level in Plein Air and Studio Painting.” The art center is open year-round, and classes are open to both members and nonmembers.
Visitors can browse the facility’s three galleries for free, and there’s always artwork on display and available for purchase. In addition, the center screens two art-related movies each month for the general public; recent titles have included The Monuments Men and a documentary on Norman Rockwell. The screenings are free, though donations are accepted.
“We’re a community art center,” says Carolyn Partan, a past president of the board of directors. “We take that seriously.”
Suzy Bergmann, executive director of the art center, agrees. To begin, she says regular activities for children include after-school and vacation week programs, as well as art camps during the summer. The center also collaborates with the Fairwinds Clubhouse, a Falmouth organization that offers support and opportunities for individuals with mental illness. Twice a month, Fairwinds members visit the center to participate in a clay class. The center has also hosted art exposure sessions for local Alzheimer’s patients.
During the year the center also hosts a number of events, including the annual ARTrageous fundraiser. This year’s event—to be held Friday, July 8, from 6-9 p.m.—will be part of the guild’s 50th anniversary celebration and the annual auction will include artwork and prizes such as trips and cottage stays. Another tradition is the art center’s Holiday Market, a juried art sale fundraiser that runs from Thanksgiving to Christmas.
Hanagan, who first arrived in 1983, says the guild (and the art center) is like a family. A longtime art teacher, Hanagan is currently leading a class of students through “Palette Knife and More,” a course that covers oil, acrylic, and pastels. He has also taught drawing and other courses over the years, and has had the opportunity to work with many prominent artists. “I think it’s amazing how welcoming we are,” he says, adding that newcomers are always warmly received.
Quitting on an assignment, though, is not advisable in one of Hanagan’s courses, and whining is not accepted. Also, the instructor does not particularly like the color brown, so those who would paint a log cabin—or a chocolate cake for that matter—might have to get creative.
The history of the Falmouth Artists Guild dates back to the 1950s, when Angelo Cangiamilla, a local architect and artist, hosted a group of painters at his home in Falmouth Heights. Over the years, this merry band of artists grew to 80 members, and in 1966, they leased an 18th-century building on Main Street that was originally built as a tavern and had served for decades as a home for the poor and infirm. The guild incorporated that year, the members repaired and renovated the building, and the arts organization called the location home for the next three decades.
You might also like:
A majestic site and a dream design team set the stage for a remarkable new home in Orleans As the…Read More
A home on Edgartown’s Katama Bay gracefully embodies its dynamic surroundings The shape of Katama Bay, winding between Edgartown and…Read More
A century’s worth of generations have shaped this Harwich Port cottage, and now its latest generation of ownership has put…Read More