Hitting all the high notes
The Falmouth Chorale’s members enjoy performing and improving—but most of all they just love to sing!
In the orchestra pit, the musicians, all dressed in black, tune their instruments. The sound of violins fills the auditorium at Falmouth Academy as bows fly across strings, and the deeper notes of cellos reverberate. The orchestra is warming up for the Falmouth Chorale, soon to arrive on stage. Baton in hand, the chorale’s artistic director, John Yankee, enters the auditorium and flips through his songbook, a broad smile on his face. He chats quietly with members of the orchestra, which frequently accompanies the chorale, and whose members play with various ensembles, including the Cape Symphony, the Plymouth Philharmonic Orchestra, and the New Bedford Symphony Orchestra.
The auditorium is filled to near capacity. The lights go down, and the audience goes quiet. Andrea Garber of Falmouth, the chorale’s co-president, steps onto the stage and welcomes those in attendance. “We produce these concerts just because we love what we do,” she says of the mostly volunteer group. Behind her, chorale members clad in black file into their respective rows, where in just minutes they will burst into harmonizing song.
This is “A Choral Fantasia,” Yankee’s creation, and it incorporates three well-known pieces: Bach’s Magnificat, Mozart’s Regina Coeli, and Beethoven’s Choral Fantasy. The show was performed in March of 2016—and the chorale is currently preparing for three shows in December and two more concerts in March and May of 2017.
With some 90 members, the Falmouth Chorale puts on four concerts during the year in October, December, March, and May; typically 55 to 65 members participate in any given performance. “The October and March concerts feature more large-scale choral works, great classical works like Mozart’s Requiem,” Yankee says.
Garber appreciates that Yankee chooses difficult pieces for the chorale to perform, and that he requires his singers to be fully committed. “He challenges us,” she says. “It’s hard work to bring 70-something people together. Everyone has to sing like a leader.”
To become a member of the chorale, singers must participate in an eight-minute voice placement session, during which Yankee checks their pitch and vocal range. They must also commit to weekly rehearsals. The singers range in age from 20 to 80, and come from varied professions: One is a lab technician at Falmouth Hospital, two are music teachers, and another is a first-grade teacher. While most chorale members live in Falmouth, others come from all over the Cape and beyond.
A few chorale members shared some notes on their musical background—and what singing, and being a member of this chorale, has meant to them. “I discovered that singing was what was missing from my life,” says Sarah Sadler, the chorale manager who lives in Plymouth. “Growing up, I always sang. But something happened to me in my sophomore year of college—I was struck with a terrible case of stage fright.” Sadler stopped singing altogether, and didn’t sing again for 20 years. In 2011, though, she decided to try choral singing. Nervous at first, she soon realized that she “needed” to sing. “It’s always good when you can find what’s missing,” Sadler says. She has been singing with the chorale ever since, and now she’s in her fourth year as manager.
Not only do chorale members enjoy singing and the camaraderie of the group, they also value Yankee’s talent for bringing out their best. “He is so dedicated to the music; it’s not just a job for him. He demands the best from all chorale members,” says Garber, a social worker. Anne Tupper of Falmouth, who works at the Verizon call center, says her involvement over the years has improved her voice. “I’ve been singing in this chorale for 20 years,” Tupper says, “and I keep getting better.” Woods Hole resident Mary Swope, who has sung in choruses in Boston and Washington, D.C., echoes that sentiment: “John is a great conductor. I’ve always sung, but not as well as I do now, and I’m 78!”
Yankee offered high praise for his singers as well. “They are pretty fearless,” he says. “I have a strong concept of how things are supposed to sound, and I love that the group accepts the challenge and is willing to work to reach that level.”
You might also like:
Mashpee Commons was originally conceived by Buff Chace in the early 1980s. Today Buff’s daughter, Sarah Chace, is at the helm.Read More
Owner and CEO of Dune Jewelry & Co., Holly Daniels Christensen, has cracked the code–finding a way to keep special moments from fleeting.Read More