Island Artisan: Jennifer McCurdy
Martha’s Vineyard ceramicist creates porcelain perfection
In the basement studio of her waterfront Vineyard Haven home, ceramic artist Jennifer McCurdy is transforming clay into extraordinary, rather ethereal works of art. Crashing waves, soaring flames, branches of leaves intertwined—there are endless ways to interpret the intricate designs of her wheel thrown porcelain sculptures. To McCurdy, it’s all relative.
“I’m just glad if you respond to it,” she says of her work. “It’s like my song; it’s my expression.”
McCurdy has spent the last four decades working with porcelain, a type of clay that is non-porous and translucent. During a visit to her studio this past summer, McCurdy demonstrated the meticulous process of crafting her porcelain pieces—or “vessels,” as she calls them. It’s a process that involves a unique, highly skilled approach. “I throw my porcelain very thin,” McCurdy explains, “and I do that because it’s the aesthetic of porcelain to be translucent and thin.” Porcelain in itself is difficult to throw, McCurdy says, as it absorbs water quickly and is more flimsy than other clays. While she uses some water in the beginning of her throw, she employs a technique called “dry throwing,” in which she shapes the clay with flexible metal ribs. Since these ribs have a smaller surface area than fingers, McCurdy says they encounter less drag on the clay, making it easier to properly form the piece.
When a piece is ready to be carved, McCurdy says she only has a window of one to three hours, depending on the size of the piece and how much moisture is in the air, before that piece becomes too dry to carve. She describes the designs she carves as “iterations” of her previous designs. “I think about things in fractals,” she says. (Essentially, fractals are never-ending patterns that, on different scales, are variations of themselves.) “I remember in the late ’70s I discovered fractals, and it blew me away. I thought, ‘Yes! This is the truth of the universe,’” she adds with a laugh. McCurdy says she loves exploring how her designs can iterate to become something new. “I’m looking for patterns within patterns, movement around the form,” she explains. “It’s all about the integration of the form with the surface.”
You might also like:
Bunny Mellon’s gardens at her former Osterville home have cemented their place in the history books, but as the years…Read More
The Glen Cove Hotel building in Onset has been providing quality service and entertainment since the Victorian Era. And it shows no…Read More