Cape Cod Life, September/October 2017 |

Photo Portfolio: Idyllic imagery by Michael Petrizzo

Cape Cod Life  /  September/October 2017 / ,

Writer: Joe O'Shea / Photographer: Michael Petrizzo 

Photo Portfolio: Idyllic Imagery by Timothy Little, September/October 2017 Cape Cod LIFE |

Yarmouth Port Mooring

Falmouth artist combines photography and digital editing talents to create magnificent Cape Cod images

It is easy—very easy—to get lost in thought while staring at one of photographer Michael Petrizzo’s breathtaking Cape Cod landscapes. One image in particular captures the imagination, and demonstrates the lengths to which Petrizzo will go to capture “the perfect shot.” The above postcard-perfect picture of a fiery Yarmouth Port sunset boasts a baby-blue boat leaning lazily off an exposed sandbar at low tide, a magical scene magnified by its remarkable reflection on the glass-calm salt water.

“Most people take out their iPhones at sunset and shoot into the sun,” says Petrizzo, owner of Fine Art Productions in Falmouth. “But the real magic takes place just after the sun sets below the horizon, and the hidden sun illuminates the clouds in brilliant oranges, reds and yellows.”

Ironically, while making art for viewers to get lost in—“eye candy,” as Petrizzo playfully calls it—this adventurous photographer nearly lost a rubber boot while taking this shot, and was lucky not to lose a lot more. “That day, back in October, I figured we’d have a reasonable chance of having a nice sunset, so I went out to shoot that evening,” Petrizzo recalls. “When I found this location, I parked the car, put on my white rubber fishing boots, and I trudged through the marsh and muck for about a quarter mile so I could get just the right shot.

“I had been to this location before,” Petrizzo adds, “but it was muckier than usual. It got so bad that, although I could lift my feet, my boots stayed stuck in the mud. At one point, I could see the high-tide line, and I realized that if I got stuck there, the water would eventually be over my head. It just goes to show you what can happen when you visit locations like this; it was a little hairy there for a while.”

Long accustomed to the occupational hazards of landscape photography, Petrizzo always carries a cell phone in case he needs to be bailed out of such a sticky jam. While the odds of getting stuck in the mud are slim, other dangers like slips and falls are all too real. “I’ve slipped and almost broken an ankle a number of times,” Petrizzo says, “so you always have to be mindful of where you are and your footing.”

Photo Portfolio: Idyllic Imagery by Timothy Little, September/October 2017 Cape Cod LIFE |

Yellow Dory in Fog

After a successful career as a remodeling contractor in Connecticut, Petrizzo retired early to the Cape. Today, at 63, he works out five days a week. “I have to hike up and down steep hills and climb big rocks,” he says, “so staying in shape is an important part of being a successful landscape photographer.”

Although he tends not to take himself too seriously, Petrizzo’s pursuit of beautiful images is no laughing matter, especially to customers like Julie Fougere, a Falmouth resident and amateur photographer who understands the difficulty of capturing what the human eye sees in nature.

“I’ve seen some of the photos Mike has taken of Nobska Light and Bourne Farm (both in Falmouth) and certain rocks on coastlines of beaches that I recognized,” says Fougere. “I’ve tried to take pictures of these locations so many times over the years but could never capture what I saw. So when I saw how beautiful his landscape photography was, I literally started crying.”

Petrizzo understands Fougere’s photo frustration. When he first began to dabble in photography as a young man, he didn’t have a dark room and relied on photo labs to process his film. “I was so frustrated because the photos I got back from the labs weren’t depicting what I saw in the field,” he says. “Then I discovered [Adobe] Photoshop, and I learned that you could control the image’s appearance, from A to Z. It opened up an entirely new world for me. It’s the greatest time in history to be a photographer because your computer is your darkroom.”

Now armed with a suite of photo-editing software tools, Petrizzo is better able to re-create what he sees in nature. When shooting a sunrise or a sunset, his camera automatically compensates for the brightness of the sun by underexposing everything else in the scene, which leads to a dark, murky reproduction. One of the ways Petrizzo more accurately captures the glory of such scenes is by shooting multiple images and then engaging in post-production work.

“I always shoot on a tripod,” Petrizzo says, “so I shoot three images of every scene. I shoot the correct exposure, two stops darker and two stops lighter. I then import the images in different layers in Photoshop, combine them and then keep the best of the lights, darks and mid-tones.  . . .  For me, it’s about doing my best to capture the glory of God’s creation.”

Often, Petrizzo will utilize Photoshop and other image-editing tools to add painterly effects to his imagery, and when printed on certain types of high-quality canvas, the images look more like paintings than photos.

Sunset Sail, as seen on the cover of Cape Cod LIFE Sept/Oct.

“Mike is creating works of art that compare very favorably with artists who work in traditional acrylic paint,” says John Miller, owner of J Miller Picture Framer in Mashpee. “We feature Mike’s work on a wall in my shop, and when customers see his landscapes they stop in their tracks and stare at the intensity of his art. They start asking questions, and are typically under the impression that they’re paintings. I’m always amazed by the emotions and moods that the colors create for viewers.”

Melissa Woringer, a Barnstable-based art consultant who works with health care organizations, also appreciates the tranquil vibe that’s conveyed by Petrizzo’s vivid landscapes and seascapes. While Woringer recognizes the beauty of his art, she also notes that beauty provides a potential healing benefit for many of her clients.

“[Patients] who stay in health care environments that utilize calming, tranquil art have shorter stays and require less medicine than their counterparts in other environments,” Woringer says. “So I love to use Mike’s Cape Cod work for my clients. His colors are very harmonious and calming, which give the landscapes and seascapes a lovely, dreamy quality. Mike has a passion and a love for the Cape that is clearly conveyed through his work.”

Michael Petrizzo’s company, Fine Art Productions, is a full-service commercial photography studio, offering portrait, business and landscape photography, as well as giclee printing for artists and photographers.

More information can be found at, and his prints can be purchased in the Cape Cod Life General Store at